Most viewers recognize what's coming from the camera that hovers over a pitch-black room and the soundtrack has gone silent for a while. As a result, a jump scare is a type of fear, and it can be effectively or fumbled comically.
The most popular item for the first jump scare to grace the silver screen is the 1942 horror film Cat People. Editor Mark Robson pioneered the technique by interrupting a tense and quiet scene with the emergence of a noisy bus, later known as the Lewton Bus. In several future films, Lewton would use this technique, mostly with the same bus. Over the following decades, the technique will swell.
The Lewton Bus was the first horror film adaptation of Gaston Leroux's 1925 novel The Phantom of the Opera, which was silent, leaving the narration portion of the technique unimaginable. 16 years later, Orson Welles used a similar technique in his landmark cinematic opus Citizen Kane.
The film focuses on a seemingly untimely interrupted cockatoo. Welles, known for his unwillingness to discuss his work in interviews, famously explained that the bird's jarring intrusion was only included to awaken the audience. These examples are often confused by a ghost's screech or the appearance of a killer over someone's shoulder. At this point, these examples are often well-praised.
The audience will enjoy the opportunity to slash jump scares during a horror film's final moments. In the 1970s, the filmmaker envisioned a more frightening reaction by letting its killer escape silently. The slasher film craze of the eighties was the biggest culprit for the widespread proliferation of jump scares.
When Citizen Kane was wakeing up the audience and Carrie was ending on a shocking twist, jump scares were a rare treat. Despite the fact that many popular songs were overplayed, the jump scare gradually increased to the point of widespread displeasure. Many film enthusiasts will affirm that the movie's "psychological" horror or intelligent suspense will be commended as an obvious improvement. Despite public perception, many people will say that the jump scare is framed as a thin,
The second film, entitled "Lawn Work '86," features a few moments of a lawnmower rolling silently before it captures a person beneath its blades, and a piercing scream comes out. Unlike the previous one, the film, "Lawn Work, 86," is widely considered one of the most famous jump scares in the modern era.
The wide void in public perception between these two moments proves that there are good jump scares and bad jump scares, but they also demonstrate the difference. The lawnmower scene is a beautifully designed horror moment, and perhaps the most powerful aspect of it is the fact that the audience does not see the gore. It's not a forced scare for the audience's benefit, but a given level of commitment and expert editing is what makes a jump scare work.
Jump scares are horror methods that can be used well or poorly, like any other. Rather, reprimanding the whole discipline as lazy is reductive and does not identify what a creative filmmaker can do with something simple as a loud noise or a sudden reveal.